March 2012 | Volume 69 | Number 6 
Reading: The Core Skill Pages 58-62

Ed Leadership

The Challenge of Challenging Text

Timothy Shanahan, Douglas Fisher and Nancy Frey

When teachers understand what makes texts complex, they can better support their students in reading them.

How is reading complex text like lifting weights? Just as it's impossible to build muscle without weight or resistance, it's impossible to build robust reading skills without reading challenging text. The common core state standards in language arts treat text difficulty as akin to weight or resistance in an exercise program.

This is in contrast to most past discussion of this topic, which emphasized how overly complex text may impede learning. Such discussion therefore focused on developing various readability schemes and text gradients to help teachers determine which books might be too hard for their students. The new standards instead propose that teachers move students purposefully through increasingly complex text to build skill and stamina.

What Makes Text Complex?

To help students learn to read complex texts, teachers need to answer the question, What do we mean when we say that a text is difficult? Readability formulas usually answer this question by measuring two factors: challenging vocabulary and long, complex sentences. Here we look at these factors along with several others that also affect readers' ability to comprehend text.

Vocabulary

If you ask students what makes reading hard, they blame the words. And they're right to place so much importance on vocabulary: Authors introduce their ideas through words and phrases, and if readers don't know what these mean, there's little chance that they will make sense of the text. Studies show that higher-order thinking in reading depends heavily on knowledge of word meanings.1 

Often, textbooks and teachers focus their attention on teaching students the vocabulary words that describe central concepts in science, history, mathematics, or literature. Domain-specific terms, such aserosion, Newton's third law of motion, rhombus, and metaphor, are sure to receive instructional emphasis in today's classrooms. However, these words are usually surrounded by other essential but more general academic terms, such as exerts, estimates, determines, distributed, resulting, culminates, and classify. These words, every bit as much as those in the first list, are used in particular ways in the various disciplines and warrant instructional attention. Students' ability to comprehend a piece of text depends on the number of unfamiliar domain-specific words and new general academic terms they encounter.

Sentence Structure

Words are not the whole picture. Sentence structure matters, too, because it determines how the words operate together. Thus, understanding the sentence "The stork was walking in the beautiful cornfield"requires more than just being able to define individual words. The sentence must also tell the reader how the ideas expressed by these words fit together (Which stork? Where was the stork? What was it doing?). If the text instead said, "Stork beautiful the walking in was the cornfield," all the same ideas would have been presented, yet readers would not understand the meaning.

Other aspects of sentence structure can determine how hard it is for readers to make sense of text. Shorter sentences, for example, tend to be easier to read than longer sentences; presumably, they put less demand on the reader's working memory. Longer sentences are likely to include multiple phrases or clauses, so they tend to include more ideas that have to be related to one another. They also have a greater density (longer noun or verb phrases) and more embedding (more complex relationships).

Authors construct such complicated sentences for a variety of reasons. In some cases, complex sentence structures are necessary to communicate the complexity of the information itself—thus the long noun phrases common in science. In literary passages, long-sentence writers like William Faulkner or Evelyn Waugh may be trying to get readers to slow down and explore the architecture of the thoughts and feelings being expressed. In attempting to convey emotional complexity, we might write a sentence like this:

The yellow snow blower that my father bought for my mother for their 15th wedding anniversary last year is now sitting in the garage, under a pile of old boxes and newspapers, where she left it that night, just before she threw her mobile phone, the one with my picture on it, at dad, and burst into tears.

The many layered phrases in this sentence express the complicated emotions connected with the events better than a series of shorter, clearer sentences would do. However, such sentences can be hard to untangle because of the demands they place on working memory: What happened just before the mother threw her phone? Who burst into tears? The verb phrase is so deeply embedded in this sentence that it can be hard, at first, to identify what is happening. If students are to interpret the meanings such complex sentence structures convey, they need to learn how to make sense of the conventions of text—phrasing, word order, punctuation, and language.

Coherence

Another challenge concerns how particular words, ideas, and sentences in text connect with one another, a feature referred to as coherence. Authors use pronouns, synonyms, ellipses, and other tools to connect the ideas across text. For example, take this simple passage:

John and Mary went to space camp. They liked it there. Of course, boys often like rockets, but Mary, too, enjoyed it.

The first sentence tells about something two children did. To make sense of the second sentence, the reader has to recognize that the pronoun they refers to the two children who were named in the first sentence and that there refers to space camp. Similarly, to interpret the third sentence, the reader has to link boys to John and recognize that it means the same thing as there did in the second sentence.

Younger students often have difficulty making such connections, especially if the ideas are far apart or the referents don't get restated frequently. Distant or complex cohesive links can also be challenging for second-language learners or for older students reading about an unfamiliar topic.

Organization

Ideas can be arranged across text in many ways, some more straightforward than others. For example, some kinds of text—such as a science experiment or a recipe—order events in a time sequence. This would also be true of some fiction or historical stories, but not all of them. You will most likely never see a writer play around with a time sequence in presenting a science experiment, but flashbacks in literature and nonsequential presentations of events in historical writing are common ...

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