• The Wall Street Journal

Educating the Next Steve Jobs

How can schools teach students to be more innovative? Offer hands-on classes and don't penalize failure



Most of our high schools and colleges are not preparing students to become innovators. To succeed in the 21st-century economy, students must learn to analyze and solve problems, collaborate, persevere, take calculated risks and learn from failure. To find out how to encourage these skills, I interviewed scores of innovators and their parents, teachers and employers. What I learned is that young Americans learn how to innovate most often despite their schooling—not because of it.


INNOVATE
Zuma Press

New Tech high school junior Kai Morgan in Napa, Calif., works on his trebuchet, a type of catapult. The school promotes 'independent learning.'


Though few young people will become brilliant innovators like Steve Jobs, most can be taught the skills needed to become more innovative in whatever they do. A handful of high schools, colleges and graduate schools are teaching young people these skills—places like High Tech High in San Diego, the New Tech high schools (a network of 86 schools in 16 states), Olin College in Massachusetts, the Institute of Design (d.school) at Stanford and the MIT Media Lab. The culture of learning in these programs is radically at odds with the culture of schooling in most classrooms.


In most high-school and college classes, failure is penalized. But without trial and error, there is no innovation. Amanda Alonzo, a 32-year-old teacher at Lynbrook High School in San Jose, Calif., who has mentored two Intel Science Prize finalists and 10 semifinalists in the last two years—more than any other public school science teacher in the U.S.—told me, "One of the most important things I have to teach my students is that when you fail, you are learning." Students gain lasting self-confidence not by being protected from failure but by learning that they can survive it.


The university system today demands and rewards specialization. Professors earn tenure based on research in narrow academic fields, and students are required to declare a major in a subject area. Though expertise is important, Google's director of talent, Judy Gilbert, told me that the most important thing educators can do to prepare students for work in companies like hers is to teach them that problems can never be understood or solved in the context of a single academic discipline. At Stanford's d.school and MIT's Media Lab, all courses are interdisciplinary and based on the exploration of a problem or new opportunity. At Olin College, half the students create interdisciplinary majors like "Design for Sustainable Development" or "Mathematical Biology."


Learning in most conventional education settings is a passive experience: The students listen. But at the most innovative schools, classes are "hands-on," and students are creators, not mere consumers. They acquire skills and knowledge while solving a problem, creating a product or generating a new understanding. At High Tech High, ninth graders must develop a new business concept—imagining a new product or service, writing a business and marketing plan, and developing a budget. The teams present their plans to a panel of business leaders who assess their work. At Olin College, seniors take part in a yearlong project in which students work in teams on a real engineering problem supplied by one of the college's corporate partners.


In conventional schools, students learn so that they can get good grades. My most important research finding is that young innovators are intrinsically motivated. The culture of learning in programs that excel at educating for innovation emphasize what I call the three P's—play, passion and purpose. The play is discovery-based learning that leads young people to find and pursue a passion, which evolves, over time, into a deeper sense of purpose.


Mandating that schools teach innovation as if it were just another course or funding more charter schools won't solve the problem. The solution requires a new way of evaluating student performance and investing in education. Students should have digital portfolios that demonstrate progressive mastery of the skills needed to innovate. Teachers need professional development to learn how to create hands-on, project-based, interdisciplinary courses. Larger school districts and states should establish new charter-like laboratory schools of choice that pioneer these new approaches.


Creating new lab schools around the country and training more teachers to innovate will take time. Meanwhile, what the parents of future innovators do matters enormously. My interviews with parents of today's innovators revealed some fascinating patterns. They valued having their children pursue a genuine passion above their getting straight As, and they talked about the importance of "giving back." As their children matured, they also encouraged them to take risks and learn from mistakes. There is much that all of us stand to learn from them.

—Mr. Wagner, a former high-school teacher, is the Innovation Education Fellow at the Technology & Entrepreneurship Center at Harvard. His new book is "Creating Innovators: The Making of Young People Who Will Change th...

A version of this article appeared April 14, 2012, on page C2 in some U.S. editions of The Wall Street Journal, with the headline: Educating the Next Steve Jobs.

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Perhaps the worst thing that one can do in projecting change is circumscribe that change to meet "standards" that are increasingly irrelevant. Change must itself change, just as "innovation" has got to recapture imagination and blend it within a real world.

I'm currently documenting the kind of change that Wagner describes, but within a remarkably traditional "low performing high school." The change is just a nuance, a twist, a variation on a scheme, but dramatic enough to make all else mean new and very different things. Kids create their own electronic portfolios, update them, and refine them, alone and in groups, over their four years in high school. They use a template suggested by workforce specialists - categories of "soft skills" like responsibility, teamwork, creativity, inquiry, etc. In other words, everything - as Wagner suggests - is interdisciplinary. And the things of which they brag take place in and out of school, as if those bounds also disappeared. And the ePortfolio is celebrated - by teachers, other kids, parents, employers, and colleges - while grades and tests fade in import.

When a very quiet Latina freshman writes a beautiful, short poem in English, because she's lonely, and then layers her reading of that poem with photographs and music from the net, her teacher cries. When she shows it to a bunch of guys from Harvard, they decide she's gifted (although she'd not yet earned more than a "B" in any course). And when her other teachers see what she herself felt proud to do, they had to readjust their grades to what they'd long ignored.

You sometimes need to change little in order to change everything. When students celebrate their reflections on how they grow and on what they do best, miracles happen. When those miracles are seen by teachers, parents, and outside the school, those miracles redefine the school itself. That school becomes the laboratory Wagner describes. That is enough to change everything. Teachers cannot ignore the achievements their students portray. When a teacher sees a lesson applied in a setting outside the school, by a student he thought did not understand, because of a test that was less than acute, the grades change. When an administrator sees students using ideas from one class in four other subjects, teachers need not get a "bonus" just because of a "gain score" on some bubble tests. Instead, they get a salary supplement or a trip to a national forum to run workshops for their peers on how to help their students change the rules themselves.

And, ironically and sadly, all of this took place about two miles from Tony Wagner. Over a century ago, Louis Agassiz, also at Harvard, would walk through his Freshman biology lab muttering "watch your fish," as his students studied the outside of a fish to impute its skeleton and organs, only to test their observations after about six weeks of observation. Tony, watch your fish. Those organs are playing new music.

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